The Blog

The books I read in 2019

This is a potentially incomplete list of all the books I remember reading last year. I was going to put it on Twitter a few weeks ago, but nah. Why should Twitter get all the good stuff?

So, in no particular order:

  • Everything Matters – Ron Currie
  • The Blurry Years – Eleanor Kriseman
  • Less – Andrew Sean Greer
  • Dirty Boulevard: Crime Fiction Inspired by the Music of Lou Reed
  • Tales from Nowhere – Lonely Planet
  • Homesick for Another World – Ottessa Moshfegh
  • Love is a Mix Tape – Rob Sheffield
  • Cool Gray City of Love – Gary Kamiya
  • The Incendiaries – R.O. Kwon
  • Hark – Sam Lipsyte
  • 1Q84* – Haruki Murakami
  • Solaris* – Stanislaw Lem
  • Bukowski in a Sundress – Kim Addonizio
  • The 2020 Commission Report on the North Korean Nuclear Attacks Against the United States – Jeffrey Lewis
  • A Thousand Distant Radios – Woody Skinner
  • Severance – Ling Ma
  • The White Album – Joan Didion
  • A Field Guide to Getting Lost – Rebecca Solnit
  • The Taxidermist’s Catalog – James Brubaker
  • The Friends of Eddie Coyle – George V. Higgins
  • Motherless Brooklyn – Jonathan Lethem
  • The Impossible Lives of Greta Wells – Andrew Sean Greer 
  • Bartleby – Herman Melville
  • Benito Cereno – Herman Melville
  • No Longer At Ease – Chinua Achebe
  • Favorite Monster – Sharma Shields
  • They Can’t Kill Us Until They Kill Us – Hanif Abdurraqib
  • Unfaithful Music & Disappearing Ink – Elvis Costello
  • All the Sad Young Literary Men – Keith Gessen
  • Florida – Lauren Goff
  • Appointment in Samarra – John O’Hara
  • The Power of Point of View – Alicia Rasley
  • Story Genius – Lisa Cron
  • To Show and To Tell – Phillip Lopate
  • Bitches Brew – George Grella Jr.
  • Live at the Apollo – Douglas Volk

The last two on this list are those little 33 1/3 books published by Bloomsbury; if you’re a music lover and a particular kind of nerd, you should check them out. They’re tons of fun.

The three before that are writing craft books. I feel like I read more than just three of those last year; I should make a point to read more of them this year.

The books with an asterisk are ones I didn’t finish and probably won’t try to in the future.

As far as the rest of the list goes, there were a few re-reads (the Melville, the Didion and the Higgins), but I’m trying not to revisit many books these days, since there are so so so many out there that I want to read but haven’t. For 2020 I’d like to get the number of female authors up a bit, and I’d definitely like the next edition of this list to be less white.

That time I saw Dick Vitale in a parking lot

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If you don’t know who Dick Vitale is, I envy you. He used to be a basketball-talking guy on the teevee box. He’s retired now (at least, I think he is; I don’t watch a lot of basketball) but back in the day—by which I mean the 1990s, in particular the years when I was in college and FSU was demonstrating an uncharacteristic level of competence in basketball, so we all watched it—Vitale was college hoops personified. He was everywhere. He was loaded full of catch-phrases like “it’s awesome baby!” and “diaper dandies” (his term for promising young players, one which never failed to get the bile rising in the back of my throat) and countless others. And my god, he was annoying.

As a writer, I feel like I should be able to describe Vitale’s voice and style, but I don’t think mere adjectives—shrill, grating, piercing, juvenile—can fully do it justice. I think it’s something you should experience for yourself.

At the time, Dick Vitale was everything I hated about the 1990s rolled up into an omnipresent flesh sack. He was overexposed, pointlessly loud, seemingly lacking in self-awareness, and completely content-free. And worst of all, he loved Duke University basketball. Fucking loved it, to the point where I began to strongly suspect he made his wife wear Christian Laettner and Grant Hill jerseys to bed once or twice a week.

That said, he never claimed to be more than he was, which was a basketball fan who loved his job talking about basketball. I can’t fault a person for loving their work. And by all accounts he’s a decent actual human being. He’s got a long history of charity work, and when I lived in Florida (he lived there too) I’d regularly see news stories about him getting involved in the community in some way or another. So, not a bad person, but an extremely annoying personality.

In the early 2000s, I was working for a software company in Sarasota, Florida. Our offices were on Siesta Key, a stunning little spit of bone-white sand and gently-swaying palms and rich Republican retirees. In other words, exactly the kind of place that would appeal to someone like New Jersey-born Dick Vitale.

One afternoon I took a stroll down to the convenience store a couple of blocks away to pick up an Arizona iced tea, which I used to do whenever I couldn’t stand being in my office for another second. I was rolling some work-related irritation over in my mind as I approached the parking lot when a candy-apple red Mercedes convertible cut me off and shot into an empty spot right in front of the store.

“He almost hit me,” I remember thinking. “What a prick.”

The driver was standard-issue Siesta Key archetype: old, male, kind of scrawny, wearing a matching royal blue outfit of polo shirt and tennis shorts, sunglasses, and a white ball cap that looked like the sort that would have a country club or a yacht club logo on the front. Without even turning off the engine, he threw open the driver’s side door and dialed a number on his car phone (this was long before you could link a smartphone to your car’s sound system). I could hear the phone ring on the other end, mostly because the stereo speakers were cranked as high as they could probably go.

“Hello?” a male voice on the other end said.

“Hey Tommy, how are you,” said the man in a near-shout, which he amped up for his next sentence: “It’s DICK VITALE.”

How about that, I thought. Celebrity sighting. You didn’t get many of those in that part of Florida. I took a closer look; yep, definitely him, though I never would have noticed, let alone recognized, him if he hadn’t said his own name so goddamn loud.

“Oh!” The voice on the other end of the line seemed genuinely surprised to hear from him. “Um, hi, Dick! What can I do for you?”

I went into the store, where I could hear the rest of their conversation as clearly as if I’d stayed outside. I’ve forgotten the specifics, other than it seemed to consist of nothing more than the two of them exchanging pleasantries back and forth for a few minutes. Then he hung up, finally turned off his car, and came into the store.

“Holy shit, Dick Vitale!” yelled the other customer. He was either a beach bum or someone working a construction job on the island—it could be tough to tell the two apart sometimes—and was pouring himself a gigantic fountain soda. He had a greasy brown mullet, a mustache and a cigarette tucked behind his right ear. “Love your work, sir!”

“Heyyyy, thank you, thank you,” Dick shot back instantly. “Love being out here, talking to the people, hearing from the fans. Great to meet you.”

And then he left. Without even buying anything.

It was pretty uneventful, as encounters with famous people go, but it stuck with me for one reason: he was clearly hoping to be spotted—otherwise, why make such a loud, public phone call in which he announced his name to anyone in earshot—which is why I was so puzzled that he’d first go to the trouble of hiding his face under that big hat and behind those wraparound shades.

And did he really have nothing better to do than drive around Sarasota all day trying to get people to recognize and fawn over him? I mean, there’s SO MUCH golf around there. Surely he could have gotten a tee time somewhere.

Meh. Famous people are weird.

New story published: “The Insomniac Traveler’s Guide to the Lost Pyramids of Quartzsite, Arizona” at Big Muddy

I have a new story up today, which makes two new publications in about five weeks (I also got another acceptance today, but I’m not going to crow about that until it’s actually in print). I’m a big believer in closing the year out strong, I guess.

Like the last one, this piece is also part of the collection I am trying to place, so if you’re an agent or an editor, or you know people like that who might be interested, hit me up.

Here’s the link. I hope you dig it.

HOW I’M SPENDING MY AFTERLIFE now on sale for $0.99

HISMA-final-for_website

Starting yesterday, you can pick up the Kindle or epub version of HOW I’M SPENDING MY AFTERLIFE for just ninety-nine cents. Or, if you are not in the US, for a comparable pittance.

This will continue for at least a week. But, since I’m not always in complete control over exactly when these price changes go into effect, I guarantee nothing beyond that. Nothing!

Get it at Amazon, or Barnes & Noble online, or Kobo, or Apple Books, or wherever else you generally buy these things—hope you dig it!